
Sound mixer and sound designer with passion and experience:
With nearly three decades of experience,
I bring technical expertise and creative sensitivity to every project.
Based in Munich and La Gomera, I work for renowned studios and production companies such as Iyuno, Pharos – The Post Group, Constantin Entertainment, BIG Entertainment Studios, Scheune München (Trans Perfect), and just Studios. In this role, I am responsible for voice recordings and mixes for film and series dubbing, dialogue editing and restoration, the creation of sound designs, as well as mixing for documentaries, trailers, advertising, and TV formats.
Among my special projects are the sound design for the US feature film Starship Troopers 3, the production of the BMW radio spot “Soundmix” (nominated for the Cannes Lions), the audio production of the complete Bible audiobook with over 90 CDs, as well as the sound design and mixing of numerous short and feature films.
In addition to my creative work, I am also active in the consulting and training of studios. I provide efficient workflowsin the form of Pro Tools setups, macros, and optimized workarounds for various areas of post-production. Furthermore, I support international production companies with consulting and training on the creation of M&E mixes for the German-speaking market.
I also have extensive experience in the technical planning and management of studios: As studio manager at Giesing-Team sound studios in Munich, I was in the past responsible at various locations for the construction, remodeling, and technical setup of multiple Pro Tools- and Fairlight-based studios.
In addition, I work as a voice-over artist for advertising, gaming, and cartoons, impressing in particular with my vocal versatility.
LEARN MORE
A Childhood in Tune with the World
My journey into the world of sound began early – quite literally. With my mother, a theatre scholar and philosopher, I lived for a while among the Hopi Indians in a traditional Hogan in Arizona. I traveled through Morocco, spent a year near Kathmandu in Nepal, where I had close contact with a Buddhist monastery, and later lived in Pokhara by the lake.
I then spent five formative years on La Gomera, Canary Islands, where my father is still known as a musician. A few more adventures took me to other countries as well. These years were not only geographically moving – they deeply shaped my acoustic perception.
My love for listening – beyond the speakers
Very early on, I developed a special sensitivity for sounds and sonic environments – the soundtrack of my surroundings.
Sounds like the shimmer of heat on black asphalt, wind whispering through reeds, rain hitting tin roofs, or the powerful roar of waves bring back vivid memories and emotions.
Other sounds, however, can irritate me – like when the same door creak is used in nearly every TV series. There are countless other options in sound libraries – even in the standard ones!
From the dancefloor to the studio
At the age of 14, I attended my first underground techno party, while also listening and dancing to hip-hop.
Once I came of age, I took to the decks myself, DJing from Munich to Berlin and La Gomera, while organizing my own electronic underground events.
Alongside my studies in audio engineering at SAE Munich, I worked as a live mixer at concerts around the city, and also as a technician for the “Underground Project”, where I was resident DJ and booking coordinator.
My path through the world of good sound
Starting in 2000, I gained initial experience in feature film as a sound designer, editor and restorer of production sound – soon followed by mixing.
These were the first steps in a professional audio career that I continue with passion to this day.
Over time, many new fields joined in: trailer campaigns, commercials, audiobooks, interactive projects and sound installations for events.
I’ve also worked across all stages of dubbing. Documentaries and TV shows have accompanied my journey, as has precise quality control – more recently including immersive audio.
Latin Music & House Beats – Family Productions
In my mid-20s, I produced the compilation “Sound of Sausalitos” together with my father, which led us to create Latin-House tracks tailored to my DJ mix on that very album.
In Havana, Cuba, I contributed my technical skills to the production of one of my father’s Latin music albums at the ICAIC studios.
It was also there that I witnessed – for the second time in my life – how an authentic techno scene emerged from the underground.
Working beyond borders
In 2022 and 2023, I ran a remote studio on La Gomera as a second base, supporting German production companies from abroad.
That’s how the concept of my fully online studio was born.
MORE INFO HERE
Sound as Expression & Calling
All of these experiences shape my work today – with a fine ear for detail, a strong sense of rhythm and a deep respect for the power of sound.
selected works
sound design I sound mix
obo Mr. Miller & Christian Ricken
producer I sound design I sound mix
obo Serviceplan
sound design I sound mix
obo Neverest
sound design I self-voiced I sound mix
obo Fersch Media UG
Sounddesign I Mischung
sound design I self-voiced I sound mix
obo Fersch Media UG